Walking and the French Romantics explores for the first time the relationship between walking and Romanticism in France. It maps this relationship as theme and practice no social history of pedestrian tours in nineteenthcentury France having been written. In this connection the legacy of Rousseau and Senancour proves stronger than has been recognized in spite of the pull of Paris and its legendary urban flneurs. The author brings out the role of painters and of figures like Nodier Didier and Dumas in encouraging writers to go or imagine themselves on the road and shows how and why pedestrian touring became popular with authors in the late 1830s. He discusses the impact of this fashion on major Romantic writers such as Nerval Sand and Hugo. Finally he describes how walking lost its particular cultural connection with Romanticism in the 1840s.